Skip to main content

Accessory Holder


For the Spring Concert of 2019 the percussion section had one piece that required quite a few accessory instruments. We had accessory tables and one accessory holder but this piece required multiple players using multiple instruments. Adding more tables would add more space that we knew we would not have at the concert venue. The only solution was more accessory holders.
I purchased a 'Gibralter' mounting clamp and built the remainder of the holder around it.
  1.  3/4" square tube as the base of the mount.
  2.  Drilled 2 holes to accept the mounting clamp.
  3.  Drilled 2 holes for the mounting(vertical) posts.
  4.  1/4" bolts (2) with lock washers and nuts for the mounting posts.
That was it. Pretty simple and effective. But we needed a second one.

Not able to buy another 'Gibralter' mounting clamp I borrowed the idea from the 'Reitiesher II' horizontal triangle holder clamping system. Since I had some 8mm all-thread left over from another project, I used that to secure the 3/4" square tube to the 3/4" U channel tube. I added a spring under the hole of the 1/2" U channel and an 8mm washer and threaded connector on top. The slotted side had an 8mm washer and wing nut.  This time I used a 'Dremel' to cut small vertical lines on the mounting posts. This kept the instruments from rotating on the posts.




























Comments

Popular posts from this blog

Tambourine Shell Repair

A broken tambourine shell usually means that a new tambourine purchase is necessary. This can be exciting: I like getting new instruments, or sad: Any instrument that is damaged is a terrible thing. All tambourine shells can break, from my famous $14 variety to top of the line brands like Grover and Black Swamp. It's easy to replace a tambourine head but broken shells/missing pins and jingles usually means an early grave for the instrument. My early attempts at these repairs were stopgap measures until a new one was found. Wood or 'super' glue used on the shell turned out to be poor choices. It wasn't until last year that I really focused on shell repair. It happened during a Canyon Winds rehearsal when one of our tambourines exploded, pins and jingles were flying everywhere. Yep, it was the Resident Gorilla playing it. The shell had cracked between three sets of jingles near the head of the tambourine. We eventually replaced this with a Black Swamp tambourine but I s...

The Amadinda

  The Amadinda is an African xylophone originally made from slabs of wood or even large sticks, with or without gourds for resonators. There was no reason for this project other than to see if I could make a simple mallet instrument. The box was made from plywood (which also acted as the resonators) and the bars were made from maple.  Since this was to be a true xylophone, the bars were all of equal width. Tuning was done by cutting the bars to different lengths and removing material from the bottom. Using a router I created a sort of 'stepped pyramid' instead of the traditional arc cut found on marimba or xylophone bars.  Cutting the underside is not only for tuning but it focuses the pitch and creates the characteristic overtones of the instrument. Since I wanted to play this with other 'Western' instruments, I chose to use a pentatonic scale of 2 2/5 octaves (C#,D#,F#,G#,A#,C#,D#,F#,G#,A#,C#,D#). Two people sit on either side of the instrument and strike the ends of ...

The Practice Pad

The practice pad has long been a staple for the drummer. After a pair of sticks it usually was the next thing purchased. Or in the case for my brother and I, a DIY project by our father. It could be as simple as a square of linoleum nailed on a board to the double sided models that produce various amounts of rebound.  There are many reasons for using a practice pad. I'll start with the obvious: Practical: Compared to a real drum, they are cheap. They are fairly quiet, you can play them without annoying a sleeping parent or a neighbor in an adjoining apartment. They are portable, they can be taken on a family vacation where space is at a premium. Musical: Usually they provide more rebound than a drum head, which helps in developing single strokes but especially rolls. Articulation: The sound of each stroke is cleaner giving the player important feedback on the precision of their playing. Developing positional accuracy: Drawing a circle the size of a quarter on the pad provides a ...