Skip to main content

Wind machine

For the 2017 Christmas Concert the Canyon Winds Band programmed a piece for a wind machine. Purchasing one was not in the budget and renting one was nearly impossible. Fortunately the director has a background in construction, beginning in March of 2017 I began drawing designs and in June we started building. Using 2' x 4's, 3/4" plywood, furring strips, locking caster wheels, bearings and canvas sheeting we were finished in 4 weeks.



Totaling up the materials and our labor, Doug (the director) figured it cost us $800-$900. That was OK because we were planning to rent it to other groups when they needed one. To date we have yet to rent it out but that's OK too, it was fun to build and it gave me experience working with a real carpenter.
It definitely sounds like wind, when cranking slowly just a breeze, faster is more like a blizzard, top speed gets it to a Cat 4 hurricane!

We named it MARIAH.

































Comments

Post a Comment

Popular posts from this blog

The Amadinda

  The Amadinda is an African xylophone originally made from slabs of wood or even large sticks, with or without gourds for resonators. There was no reason for this project other than to see if I could make a simple mallet instrument. The box was made from plywood (which also acted as the resonators) and the bars were made from maple.  Since this was to be a true xylophone, the bars were all of equal width. Tuning was done by cutting the bars to different lengths and removing material from the bottom. Using a router I created a sort of 'stepped pyramid' instead of the traditional arc cut found on marimba or xylophone bars.  Cutting the underside is not only for tuning but it focuses the pitch and creates the characteristic overtones of the instrument. Since I wanted to play this with other 'Western' instruments, I chose to use a pentatonic scale of 2 2/5 octaves (C#,D#,F#,G#,A#,C#,D#,F#,G#,A#,C#,D#). Two people sit on either side of the instrument and strike the ends of ...

Tambourine Shell Repair

A broken tambourine shell usually means that a new tambourine purchase is necessary. This can be exciting: I like getting new instruments, or sad: Any instrument that is damaged is a terrible thing. All tambourine shells can break, from my famous $14 variety to top of the line brands like Grover and Black Swamp. It's easy to replace a tambourine head but broken shells/missing pins and jingles usually means an early grave for the instrument. My early attempts at these repairs were stopgap measures until a new one was found. Wood or 'super' glue used on the shell turned out to be poor choices. It wasn't until last year that I really focused on shell repair. It happened during a Canyon Winds rehearsal when one of our tambourines exploded, pins and jingles were flying everywhere. Yep, it was the Resident Gorilla playing it. The shell had cracked between three sets of jingles near the head of the tambourine. We eventually replaced this with a Black Swamp tambourine but I s...

The Practice Pad

The practice pad has long been a staple for the drummer. After a pair of sticks it usually was the next thing purchased. Or in the case for my brother and I, a DIY project by our father. It could be as simple as a square of linoleum nailed on a board to the double sided models that produce various amounts of rebound.  There are many reasons for using a practice pad. I'll start with the obvious: Practical: Compared to a real drum, they are cheap. They are fairly quiet, you can play them without annoying a sleeping parent or a neighbor in an adjoining apartment. They are portable, they can be taken on a family vacation where space is at a premium. Musical: Usually they provide more rebound than a drum head, which helps in developing single strokes but especially rolls. Articulation: The sound of each stroke is cleaner giving the player important feedback on the precision of their playing. Developing positional accuracy: Drawing a circle the size of a quarter on the pad provides a ...