Skip to main content

Found Sound Pt. 1: Rebar Triangles

9",12", 21" Rebar Triangles with an Alan Abel triangle to show perspective

In the late 80's I found 3 sections of rebar in a dumpster. At the time I was teaching instrumental music at a middle school and one of my classes was teaching world music through percussion. We had explored some music of the United States and this time I wanted to teach Jazz. In our school the students were very much into Rock, Hip Hop, Country and some Reggae, but I was amazed that very few had any knowledge of Jazz. This rebar provided the solution.
I measured the length of each piece and marked them to form an isosceles triangle (thanks Euclid). Using a torch, I heated and bent them as close as I could to the proper angle. After each bend I quenched them in water. I now had a 9", 12", and 21" triangle and because of the water quenching, each had a relatively long sustained sound. A coating of silver paint finished the project.
The player would hold them in their hand as if playing in Latin style. This gave them the ability to play 'open' and 'closed' (o, +) strokes. Since rebar is ribbed the triangle could also be scraped like a guiro. The beaters were 1/4" steel rods.
I composed a short Swing piece in Rondo form that they memorized and performed at some of our Elementary Schools.
The Title reflects the Instruments and the Style of Music

































Comments

  1. What exactly rebar? Is it a form of metal rod used for something specific? Or is it for some kind of musical thingy? BTW, looking at your triangles, I believe they are equilateral, not isosceles. But you can still thank Euclid. Can't wait to read Part 2.

    ReplyDelete
  2. Rebar is short for reinforcement bar. It's placed into the 'form' as the concrete is poured.

    ReplyDelete
  3. It sounds like it all worked well...:)

    ReplyDelete

Post a Comment

Popular posts from this blog

La Caverna del oro

 One of our first backpacking trips in Colorado was in the Sangre de Christo Mountains. One mountain in particular drew our attention. Marble Mountain was the location of a famous story of a Spanish cave of gold. There are many places on the web that tell this story better than I could, suffice it to say that we wanted to locate it and see the iconic 'Maltese Cross' located at it's entrance.  In 1974 after I got out of the Army we invited some friends to join us on this trip. We parked our car at the trailhead in the Wet Mountain Valley and backpacked up Marble Mountain to 12,000 feet. In one of the culverts we found the entrance to the cave. Maltese Cross at the Caverna del oro It turned out to be a real thing. The large red cross was still visible after 400 yrs. According to legend the Spanish put it there in the 1600's. I did have the courage to crawl into it but only a few feet. After about 10 feet there is a vertical shaft that drops about 750 feet!  The Cross is v...

The Deagan Project: Part II

Escutcheon Pins, Washers and Isolators Most of the pins were bent but easily straightened. Just tapping them on a bench vise did the job. I replaced the one wood screw with a sheet metal screw for the lost pin. For the washers I used silicon caulking compound. Earlier this year I tried making sheets of silicon by applying caulk onto a plastic sheet protector. I placed another sheet on top and rolled it out to the desired thickness. After it cured I took a hole punch for the outside diameter of the size that I needed. The smallest punch was used for the center hole for the pin. In the past I used catheter material for the isolators but when I went to a medical supply store to find the size that I needed I was asked for my doctor's prescription. A prescription?.....Are they afraid that I'm going to insert a piece of plastic into parts of my body just for the...….never mind. OK, so nix the catheter tubes. Since I was working with silicon I tried a di...

The Amadinda

  The Amadinda is an African xylophone originally made from slabs of wood or even large sticks, with or without gourds for resonators. There was no reason for this project other than to see if I could make a simple mallet instrument. The box was made from plywood (which also acted as the resonators) and the bars were made from maple.  Since this was to be a true xylophone, the bars were all of equal width. Tuning was done by cutting the bars to different lengths and removing material from the bottom. Using a router I created a sort of 'stepped pyramid' instead of the traditional arc cut found on marimba or xylophone bars.  Cutting the underside is not only for tuning but it focuses the pitch and creates the characteristic overtones of the instrument. Since I wanted to play this with other 'Western' instruments, I chose to use a pentatonic scale of 2 2/5 octaves (C#,D#,F#,G#,A#,C#,D#,F#,G#,A#,C#,D#). Two people sit on either side of the instrument and strike the ends of ...