Skip to main content

Teaching Clave: Part 1

Teaching Clave (the Rhythm) is an essential part for my students to learn the various Latin Dances, since it is inherent in some form in much of their folk and classical music. It can appear as 'Son', 'Bossa Nova', or 'Rumba' clave. They are similar in that they repeat over a two bar pattern with the first bar having 3 notes (Tresillo) and the second bar with 2 notes (3-2), or the reverse (2-3). Rarely have I had a private student come to me with an understanding of the Clave rhythm, even those students with a drum set background had a mangled version of the rhythm.

To introduce the Son clave, I have them first sing the 'Shave and a haircut' rhythm:


They then tap the rhythm on their knees with the 'sticking' shown:


Step 2 has them play the Left Hand in the air (no sound):


Step 3 the student leaves out the Left Hand altogether:


Once the student becomes familiar with the basic Son Clave rhythm, I introduce the concept of 3-2 clave and 2-3 clave:

 
To further solidify the rhythm, I have them play the clave part to Dańzon No. 2 by Arturo Márquez.
We then play along with various pieces until the rhythm becomes comfortable.

Then we explore the 'Rumba' clave and 'Bossa Nova' clave:





















































Comments

Popular posts from this blog

The Amadinda

  The Amadinda is an African xylophone originally made from slabs of wood or even large sticks, with or without gourds for resonators. There was no reason for this project other than to see if I could make a simple mallet instrument. The box was made from plywood (which also acted as the resonators) and the bars were made from maple.  Since this was to be a true xylophone, the bars were all of equal width. Tuning was done by cutting the bars to different lengths and removing material from the bottom. Using a router I created a sort of 'stepped pyramid' instead of the traditional arc cut found on marimba or xylophone bars.  Cutting the underside is not only for tuning but it focuses the pitch and creates the characteristic overtones of the instrument. Since I wanted to play this with other 'Western' instruments, I chose to use a pentatonic scale of 2 2/5 octaves (C#,D#,F#,G#,A#,C#,D#,F#,G#,A#,C#,D#). Two people sit on either side of the instrument and strike the ends of ...

La Caverna del oro

 One of our first backpacking trips in Colorado was in the Sangre de Christo Mountains. One mountain in particular drew our attention. Marble Mountain was the location of a famous story of a Spanish cave of gold. There are many places on the web that tell this story better than I could, suffice it to say that we wanted to locate it and see the iconic 'Maltese Cross' located at it's entrance.  In 1974 after I got out of the Army we invited some friends to join us on this trip. We parked our car at the trailhead in the Wet Mountain Valley and backpacked up Marble Mountain to 12,000 feet. In one of the culverts we found the entrance to the cave. Maltese Cross at the Caverna del oro It turned out to be a real thing. The large red cross was still visible after 400 yrs. According to legend the Spanish put it there in the 1600's. I did have the courage to crawl into it but only a few feet. After about 10 feet there is a vertical shaft that drops about 750 feet!  The Cross is v...

Zenith tubes, Analema, and Crossed Trapezes

The Zenith Sun  A common characteristic in Mesoamerica is the observance of the sun's zenith passage. This happens when the sun passes directly overhead at noon. It appears twice a year around late April and mid-August. Many ancient sites from Mexico east to the Yucatan seem to have systems built into their architecture to show this phenomenon. In the Mayan city of Kabah there is a cylindrical stone marker placed vertically in a plaza that seems to act as a gnomon that will produce a shadow every day except during the time of the sun's zenith position when the shadow disappears. In Monte Alban, Oaxaca and Xochicalco, Mexico the devices are more sophisticated. These have Zenith tubes in buildings that direct the rays of the sun down their passages to produce a circle of light onto the floor of a darkened chamber.  Looking up through the zenith tube Sun light on the floor of Xochicalco zenith tube. The Mixtec A-O glyph The Mixtec A-O glyph was their symbol for 'year'. The...