Skip to main content

Thank You George

I played my last service at First Pres. Church today. I have played there since August of 1971, and it was fitting that one of the pieces was from Handel's Messiah, For Unto Us a Child is Born.
December has always been the 'feast' part of 'feast or famine' for musicians. Sometime during this month you can always hear The Nutcracker Suite, Beethoven's Ninth, and The Messiah at some concert. One December in the early 80's I played The Messiah at 9 different venues. I have my own copy of the Timp. part which is so marked up that the notes are barely legible. Each conductor would have his own interpretation of this piece, a fermata that would be held longer than others or a sezura where most would not have one. Some conductors would even specify the exact mallets they wanted to be played. Before every first rehearsal I would make sure that I knew what each conductor expected.
Certainly the Messiah provided me a modest income over the years, but more importantly it has always been a source of joy to play, especially when the entire oratorio is performed. Even though the timpani has a small part in the composition, Handel's use of it brings out the majesty and beauty of the piece.
THANKS GEORGE, IT'S BEEN A GREAT RUN!

Comments

Post a Comment

Popular posts from this blog

The Amadinda

  The Amadinda is an African xylophone originally made from slabs of wood or even large sticks, with or without gourds for resonators. There was no reason for this project other than to see if I could make a simple mallet instrument. The box was made from plywood (which also acted as the resonators) and the bars were made from maple.  Since this was to be a true xylophone, the bars were all of equal width. Tuning was done by cutting the bars to different lengths and removing material from the bottom. Using a router I created a sort of 'stepped pyramid' instead of the traditional arc cut found on marimba or xylophone bars.  Cutting the underside is not only for tuning but it focuses the pitch and creates the characteristic overtones of the instrument. Since I wanted to play this with other 'Western' instruments, I chose to use a pentatonic scale of 2 2/5 octaves (C#,D#,F#,G#,A#,C#,D#,F#,G#,A#,C#,D#). Two people sit on either side of the instrument and strike the ends of ...

Bandelier National Monument

 One of our very special places is Bandelier National Monument. We backpacked here for the first time in 1974 and returned nearly every year into the late 80's. As I mentioned before, we celebrated our 50th anniversary with a trip to the area in 2019. We also celebrated our 24th one there during one of our backpacking trips. We were joined by another couple during this 7 day trip. I had packed a small bottle of champagne, a checkered table cloth, and a candle (which was not lit because of fire danger).  The guest list included our friends and one passerby. One of the places we visited in the back country was called 'Shrine of the Stone Lions'. Two large boulders in the shape of mountain lions lying together front paws outstretched. A 20 foot circle of upright boulders surrounding them. We had visited this shrine many times on our trips and each time there were always many religious offerings: antlers, feathers, personal items. After so many hundreds of years it was nice to ...

La Caverna del oro

 One of our first backpacking trips in Colorado was in the Sangre de Christo Mountains. One mountain in particular drew our attention. Marble Mountain was the location of a famous story of a Spanish cave of gold. There are many places on the web that tell this story better than I could, suffice it to say that we wanted to locate it and see the iconic 'Maltese Cross' located at it's entrance.  In 1974 after I got out of the Army we invited some friends to join us on this trip. We parked our car at the trailhead in the Wet Mountain Valley and backpacked up Marble Mountain to 12,000 feet. In one of the culverts we found the entrance to the cave. Maltese Cross at the Caverna del oro It turned out to be a real thing. The large red cross was still visible after 400 yrs. According to legend the Spanish put it there in the 1600's. I did have the courage to crawl into it but only a few feet. After about 10 feet there is a vertical shaft that drops about 750 feet!  The Cross is v...