Skip to main content

Drum Dampers: Cow Bells and Tambourines

Normally the cow bell should be handheld controlling the amount of ring with the fingers and palm, but I've found that too many times it has to be played mounted on a stand. Using Moon Gels© at different places on the cow bell controls the ring nicely.

Much better than using a wadded up handkerchief which tends to fall out.

There are times when I've had to play Tambourines mounted. Again the Moon Gels© work well.

They can also be used to change the timbre when handheld.
The problem with Moon Gels© (I call them Drummer's snot) is they tend to leave a greasy imprint on plastic and skin heads if left on for any period of time. On plastic it eventually disappears but I wonder if it could damage a skin head. Regardless, I always remove them soon after they are used.























Comments

  1. Drummers snot! I learn something new everyday from bloggers! Today it is you!

    ReplyDelete

Post a Comment

Popular posts from this blog

The Amadinda

  The Amadinda is an African xylophone originally made from slabs of wood or even large sticks, with or without gourds for resonators. There was no reason for this project other than to see if I could make a simple mallet instrument. The box was made from plywood (which also acted as the resonators) and the bars were made from maple.  Since this was to be a true xylophone, the bars were all of equal width. Tuning was done by cutting the bars to different lengths and removing material from the bottom. Using a router I created a sort of 'stepped pyramid' instead of the traditional arc cut found on marimba or xylophone bars.  Cutting the underside is not only for tuning but it focuses the pitch and creates the characteristic overtones of the instrument. Since I wanted to play this with other 'Western' instruments, I chose to use a pentatonic scale of 2 2/5 octaves (C#,D#,F#,G#,A#,C#,D#,F#,G#,A#,C#,D#). Two people sit on either side of the instrument and strike the ends of