Skip to main content

More PVC fun: Didgeridoo

 This project was for medical purposes. Somewhere I read an article that stated "Sleep Apnea can be relieved through the use of  'circular breathing' ". Since I was diagnosed with sleep apnea years ago I thought it would be interesting to explore this in a musical way. Wind players and especially Trumpet players have used circular breathing for years ( think 'Flight of the Bumblebee').

My percussion background has provided me with a limited concept of breathing during performance, (although an awareness of breathing and therefore phrasing has always been important) let alone circular breathing. I asked some wind player friends for help and purchased a book on circular breathing and started to practice. 

I also knew that playing the Didgeridoo required this technique so I decided to make my own. YOUTUBE to the rescue! (is there nothing that can be found on Youtube?)

Again I used PVC pipe. This time I used 1 1/2" tube diameter and 4 1/2' long with the appropriate attachments called for in the video. 

Eventually I learned how to produce the traditional sound that comes out of this instrument. But I could only achieve it with 1 lung full of air. So far my attempts at circular breathing while playing has produced hyper-ventilation and a few bouts of hallucinations. It is fun and I hope to get the hang of it some day.


Comments

Post a Comment

Popular posts from this blog

The Amadinda

  The Amadinda is an African xylophone originally made from slabs of wood or even large sticks, with or without gourds for resonators. There was no reason for this project other than to see if I could make a simple mallet instrument. The box was made from plywood (which also acted as the resonators) and the bars were made from maple.  Since this was to be a true xylophone, the bars were all of equal width. Tuning was done by cutting the bars to different lengths and removing material from the bottom. Using a router I created a sort of 'stepped pyramid' instead of the traditional arc cut found on marimba or xylophone bars.  Cutting the underside is not only for tuning but it focuses the pitch and creates the characteristic overtones of the instrument. Since I wanted to play this with other 'Western' instruments, I chose to use a pentatonic scale of 2 2/5 octaves (C#,D#,F#,G#,A#,C#,D#,F#,G#,A#,C#,D#). Two people sit on either side of the instrument and strike the ends of ...

Tambourine Shell Repair

A broken tambourine shell usually means that a new tambourine purchase is necessary. This can be exciting: I like getting new instruments, or sad: Any instrument that is damaged is a terrible thing. All tambourine shells can break, from my famous $14 variety to top of the line brands like Grover and Black Swamp. It's easy to replace a tambourine head but broken shells/missing pins and jingles usually means an early grave for the instrument. My early attempts at these repairs were stopgap measures until a new one was found. Wood or 'super' glue used on the shell turned out to be poor choices. It wasn't until last year that I really focused on shell repair. It happened during a Canyon Winds rehearsal when one of our tambourines exploded, pins and jingles were flying everywhere. Yep, it was the Resident Gorilla playing it. The shell had cracked between three sets of jingles near the head of the tambourine. We eventually replaced this with a Black Swamp tambourine but I s...

The Practice Pad

The practice pad has long been a staple for the drummer. After a pair of sticks it usually was the next thing purchased. Or in the case for my brother and I, a DIY project by our father. It could be as simple as a square of linoleum nailed on a board to the double sided models that produce various amounts of rebound.  There are many reasons for using a practice pad. I'll start with the obvious: Practical: Compared to a real drum, they are cheap. They are fairly quiet, you can play them without annoying a sleeping parent or a neighbor in an adjoining apartment. They are portable, they can be taken on a family vacation where space is at a premium. Musical: Usually they provide more rebound than a drum head, which helps in developing single strokes but especially rolls. Articulation: The sound of each stroke is cleaner giving the player important feedback on the precision of their playing. Developing positional accuracy: Drawing a circle the size of a quarter on the pad provides a ...