Skip to main content

Lithophones

 I recently watched a video at History Colorado that featured lithophones found in the Great Sand Dunes National Monument. Archeologist Marilyn A. Martorano displayed a collection of these cigar shaped stones.

Lithophones from Great Sand Dunes NM 

For the demonstration they were suspended on top of a rope ala marimba bars and struck with hard rubber mallets. They could also be suspended vertically from a string or hand at their vibrating node (about 28% of the length) producing a ringing sound. 

I have heard of 'Kiva Stones' that have been found in ancient Kivas that were presumably used for ceremonial purposes. In The Cave of The Winds here in Colorado Springs the guides tap on some of the stalactites to show visitors the sounds that some of them make. Although there doesn't seem to be any evidence that people ever used them for this purpose.

On a hike near Bandelier NM I came across a large flat rock that resonated when I stepped on it. I spent an hour playing on this rock and tapping other rocks in the area for similar effect but no others found. Was this stone used by some ancient drummer? Probably not but it was an interesting experience. And like so many of our hikes in New Mexico it ended with us nearly stepping on the largest Diamondback Rattlesnake I have ever seen.

The hike started with me playing on this lithophone



And ended with a rattle accompaniment








Comments

  1. Wow! I could barely see the rattler! Did you hear it first?

    ReplyDelete
  2. No, fortunately saw it as it was going across the trail. Afterwards it coiled up and hid behind the bush. If we were a few seconds later I don't think I would have seen it. It's a scary thought what could have happened then.

    ReplyDelete

Post a Comment

Popular posts from this blog

The Amadinda

  The Amadinda is an African xylophone originally made from slabs of wood or even large sticks, with or without gourds for resonators. There was no reason for this project other than to see if I could make a simple mallet instrument. The box was made from plywood (which also acted as the resonators) and the bars were made from maple.  Since this was to be a true xylophone, the bars were all of equal width. Tuning was done by cutting the bars to different lengths and removing material from the bottom. Using a router I created a sort of 'stepped pyramid' instead of the traditional arc cut found on marimba or xylophone bars.  Cutting the underside is not only for tuning but it focuses the pitch and creates the characteristic overtones of the instrument. Since I wanted to play this with other 'Western' instruments, I chose to use a pentatonic scale of 2 2/5 octaves (C#,D#,F#,G#,A#,C#,D#,F#,G#,A#,C#,D#). Two people sit on either side of the instrument and strike the ends of